Do Dhers use Markdown? Created by John Gruber in 2004, Markdown is an easy to use text-to-HTMl markup language, one that’s instantly readable on the page and, when pushed through a dingus, becomes beautiful web-friendly prose. I was recently converted to Markdown through the evangelizing efforts of Brett Terpstra and Merlin Mann, and now all […]
Continue readingThere have been sessions at past THATCamps that have explored the use of 3D design to envision historical sites or perhaps to demonstrate relationships of words in a concordance or index. In those cases the examples in most cases were a transference of Atoms (papers, manuscripts, notes from conversations) to bits (program design, programming, data […]
Continue readingMeredith Stewart and colleagues from the National Archives will be running Transcribathon and Tagathon sessions on Friday, June 7. Here’s her description: Staff from the National Archives will lead participants in tagging and transcribing historical records through the agency’s Citizen Archivist Dashboard. Participants will be able to provide feedback and suggestions on improving tools and […]
Continue readingAgain on the performance/deformance tip, I’d like to propose a second session: a collaborative writing experiment using Participad. What I’d like to do here is engage a group of people in an attempt to co-author, in real time, a journal article with the title “Looks Like the Internet: The Structure of Digital Humanities.” I’d pick […]
Continue readingI'd like to bring PowerPoint back to THATCamp. No, not like that. Many THATCampers will know that I'm interested in performance and deformance in digital humanities, something I've written about <a href="http://www.foundhistory.org/2012/02/15/game-change-digital-technology-and-performative-humanities/">here</a> and Mark Sample has written about <a href="http://www.samplereality.com/2012/05/02/notes-towards-a-deformed-humanities/">here</a>. In a <a href="http://www.merlinmann.com/roderick/ep-71-everybody-has-a-hamburger.html">recent episode of the podcast Roderick on the Line</a>, John Roderick described […]
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